April 17, 2010

ACTA Treaty: Can Seize, Destroy Your PC, Electronics

by Bill Lindner infopackets.com on 20100312 @ 12:44AM EST

The Anti-Counterfeiting Trade Agreement (ACTA) is a far-reaching proposal that the U.S. government has insisted was too sensitive to be exposed to the public. Now that the 44-page (PDF) has been leaked, it’s easy to see why the U.S. wanted to keep it a secret. (Source: die-linke.de)

ACTA, in its present form, is heralded by the Film and Music industries and their fight against piracy. However, if upheld, citizens will pay a heavy price for their privacy.

Gov’t Can Search, Seize and Destroy Electronics

Former President George W. Bush and current President Barack Obama both favor ACTA, which is a result of countless millions of dollars in international lobbying money from the media industry.

ACTA was designed to enact the constant monitoring of everyone’s online activities — both legitimate and non-legitimate — and gives border agents in the U.S. and other member states the power to search and seize your equipment without a warrant. Effectively, it gives these officials the power to destroy U.S. citizens’ laptops, iPods or CDs if the agents suspect they might contain copyright-infringing content.

The worst part about giving border patrol agents the power to search and seize your electronics is that the U.S. citizens will be paying for it without their knowledge.

U.S. Keeps ACTA Secret from Public

Surprisingly, there are only a few nations named in the treaty that support the U.S. government’s intentions of keeping the terms of ACTA secret. Dutch officials ‘accidently’ leaked a memo from a secret ACTA negotiation meeting in Mexico detailing who supported keeping ACTA secret from citizens of member nations.

Belgium, Portugal, Germany, Denmark, South Korea and Singapore all supported keeping ACTA secret, with Denmark being the most vocal supporter of secrecy.

ACTA Secrecy Raises Questions

The Netherlands, Sweden, Finland, Ireland, Hungary, Poland, Estonia, Austria, the UK, and Japan all supported releasing ACTA details to the public. Japan and the UK were particularly vocal about transparency. Canada, Australia, ordering viagra and New Zealand weren’t listed in the memo, but have also advocated transparency.

The U.S. fought to keep the terms of ACTA secret, and with the help of a few nations supporting secrecy, successfully prevented ACTA details from being aired. Despite their best attempts at secrecy, much information about ACTA had already been made public due the the whistleblower websites like Wikileaks.org.

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QuickTime Alternative 3.2.0

Publisher: QuickTime Alternative
Last updated: April 15, 2010
File Size: 18.3 MB
OS Support: Windows XP/Vista/7
License: Freeware
Downloads: 10,065
User Rating:   (12 votes)
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Publisher's Description

Play QuickTime files (.mov, .qt and other extensions) without having to install QuickTime Player.

QuickTime Alternative is a trimmed down version of QuickTime that contains only the essential components needed for playing QuickTime content that is embedded in webpages.

Advantages of QuickTime Alternative are:

* Quick and easy install
* Ability to make an unattended installation
* No background processes
* No unwanted stuff and other nonsense
* Smaller size

Media Player Classic and ZoomPlayer are capable of playing QuickTime files by using the QuickTime framework that gets installed by QuickTime Alternative. Other players require DirectShow filters to be able to play QuickTime files.

If you want to play QuickTime files in Windows Media Player or another DirectShow based player, then it is recommended to install the K-Lite Codec Pack. That contains all the DirectShow filters that are required to play QuickTime files.

Features:

– Media Player Classic: this is a full-featured player which has internal decoding support for DVD, MPEG-2, MP3, order viagra online uk MP2, AAC, AC3 and DTS. It also has internal support for opening Matroska and Ogg containers. Media Player Classic is also capable of playing QuickTime and RealMedia content if those codecs are installed.
– QuickTime Codecs: required for playing QuickTime content.
– QuickTime DirectShow filter: allows you to play QuickTime content in all DirectShow enabled players.
Without this filter QuickTime content can only be played in Media Player Classic.
– QuickTime plugin for Internet Explorer: allows you to view QuickTime content that is embedded in a webpage. It is installed together with the QuickTime codecs.
– QuickTime plugin for Opera/Firefox/Mozilla/Netscape: allows you to view QuickTime content that is embedded in a webpage.
– Extra plugins for QuickTime: plugins for viewing some special formats that are sometimes used on webpages.
– CoreAVC: is an external filter for Media Player classic
– CoreAAC: is an AAC DirectShow filter decoder based on FAAD2

What's New:

* Updated Media Player Classic to version 6.4.9.1 rev. 91
* Updated QuickTime framework to version 7.60.92.0
* Updated MOV Download Tool to version 1.1.1

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Pale Moon 3.6.3

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Publisher: Moonchild Productions
Last updated: April 15, 2010
File Size: 7.7 MB
OS Support: Windows (all)
License: Freeware
Downloads: 272
User Rating: Not rated yet  (0 votes)
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Publisher's Description

Custom-built and optimized Firefox browsers for Windows.

Why settle for a basic build of your Firefox browser on Windows Operating Systems when you can have one that performs 25% faster? Mozilla does not provide optimized browser packages for Windows, while many Linux ("from scratch") users get the advantage of a browser built specifically for their system. That needs to change! So, here is the Pale Moon project: Custom-built and optimized Firefox browsers for Windows Operating Systems. Make sure to get the most speed out of your browser!

Of course, getting a faster browser is not just about optimizing the compilation process (building a program from its source code), but also about carefully choosing features and how to choose the best setup. This means that this browser, however extremely close to Firefox, does not have all the functions that Firefox has. A few, carefully selected, features have been disabled that are not in high demand, and that do not interfere with the way web pages are displayed or function; all to maximize speed and efficiency of the browser. Please see the page with technical details to learn exactly what the browser supports, and what it doesn't support. In short, if you need accessibility features or parental controls, then please visit the firefox homepage and get the official, non-optimized build.

Features:

* Highly optimized for current processors
* 100% Firefox sourced: As safe as the browser that has seen years of development.
* Uses slightly less memory because of disabled redundant and optional code
* Significant speed increases for page drawing and script processing
* Support for SVG and Canvas
* Support for Firefox extensions, themes and personas

System Requirements:

* Windows 2000/XP/2003/Vista/Seven, 32-bit or 64-bit (64-bit O.S.es are not natively supported, but the browser will run fine on them)
* A 7th generation or later processor with SSE2 support like a Pentium IV or Athlon 64 or later (see list of supported processors) Standard Pale Moon will NOT run on Athlon XP processors! Please GO HERE if you are running on an Athlon XP or Athlon MP processor machine.
* 64 MB of RAM (128 MB or more recommended)
* At least 35 MB of free (uncompressed) disk space

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DVDFab HD Decrypter 7.0.4.0

Publisher: Fengtao Software Inc.
Last updated: April 16, 2010
File Size: 13.2 MB
OS Support: Windows (all)
License: Freeware
Downloads: 39,858
User Rating:   (111 votes)
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Read user reviews

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Publisher's Description

Copies entire DVD movie to hard disk, and removes all the protections while copying.

DVDFab Express is simply the easiest way to copy a DVD movie. Just insert the movie and a blank DVD then press Start.

Your entire movie – including order online viagra menus, trailers and special features – is copied to a single DVD with just one click, and everything happens automatically.

DVDFab Decrypter is a simple version of DVDFab Express. It copies entire DVD movie to hard disk, and removes all the protections (CSS, RC, RCE, Macrovision, UOPs and Sony ARccOS) while copying.

What's New:

DVDFab 7.0.4.0 Updated!

* New: Updated language files.
* Fix: Several small issues.

DVDFab "DVD to DVD":

* Fix: "Sherlock Holmes" cannot be compressed to DVD5.

DVDFab "DVD to Mobile":

* Fix: Failed to convert title to WMV for Xbox 360 in certain cases.

DVDFab "Blu-ray to Blu-ray":

* New: Added full support for AACS MKB v17 and the drives which were poisoned by MKB v17.
* New: Improved copying performance.
* New: Improved CUDA H.264 encoder performance.
* New: CUDA decoder and encoder can be run on two separate cores on high end graphic card now, it will improve performance too when you enable both CUDA decoder and encoder.
* New: Improved BD9/BD5 and standalone Blu-ray player compatibility.
* Fix: A crash problem when using DXVA VC1 decoder.
* Fix: A/V sync problem when using DXVA VC1 decoder.
* Fix: BD+ problem for certain episodes discs.

DVDFab "Blu-ray to Mobile":

* Fix: A crash problem when using DXVA VC1 decoder.
* Fix: A/V sync problem when using DXVA VC1 decoder.
* Fix: Failed to convert title to WMV HD for Xbox 360 in certain cases.
* Fix: idx/sub files were created when choosing render subpicture directly in certain cases.

Alternatively you can download the latest beta version of this software.

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The Entertainment Industry’s Dystopia of the Future

Commentary by Richard Esguerra

We're not easily shocked by entertainment industry overreaching; unfortunately, it's par for the course. But we were taken aback by the wish list the industry submitted in response to the Intellectual Property Enforcement Coordinator's request for comments on the forthcoming "Joint Strategic Plan" for intellectual property enforcement. The comments submitted by various organizations provide a kind of window into how these organizations view both intellectual property and the public interest. For example, EFF and other public interest groups have asked the IPEC to take a balanced approach to intellectual property enforcement, paying close attention to the actual harm caused, the potential unexpected consequences of government intervention, and compelling countervailing priorities.

The joint comment filed by the Motion Picture Association of America (MPAA), the Recording Industry Association of America (RIAA) and others stands as a sharp contrast, mapping out a vision of the future where Big Media priorities are woven deep into the Internet, law enforcement, and educational institutions.

Consider the following, all taken from the entertainment industry's submission to the IPEC.

"Anti-infringement" software for home computers

There are several technologies and methods that can be used by network administrators and providers…these include [consumer] tools for managing copyright infringement from the home (based on tools used to protect consumers from viruses and malware).

In other words, the entertainment industry thinks consumers should voluntarily install software that constantly scans our computers and identifies (and perhaps deletes) files found to be "infringing." It's hard to believe the industry thinks savvy, security-conscious consumers would voluntarily do so. But those who remember the Sony BMG rootkit debacle know that the entertainment industry is all too willing to sacrifice consumers at the altar of copyright enforcement.

Pervasive copyright filtering

Network administrators and providers should be encouraged to implement those solutions that are available and reasonable to address infringement on their networks. [This suggestion is preceded by a list of filtering methods, like protocol filtering, fingerprint-based filtering, bandwidth throttling, etc.]

The entertainment industry loves widespread filtering as a "solution" to online copyright infringement — in fact, it has successfully persuaded Congress to push these technologies on institutions of higher-education.

But this "solution" is full of flaws. First, even the "best" automated copyright blocking systems fail to protect fair use. Worse, these techniques are unlikely to make any lasting dent on infringing behavior, but will instead just invite the use of more encryption and private "darknets" (or even just more hand-to-hand sharing of hard drives and burned DVDs). But perhaps the most pernicious effect may be that copyright protection measures can be trojan horses for consumer surveillance. In an age of warrantless wiretapping and national censorship, building more surveillance and inspection technologies into the heart of the Internet is an obviously bad idea. In the words of the Hollywood movie, "if you build it, they will come."

Intimidate and propagandize travelers at the border

Customs authorities should be encouraged to do more to educate the traveling public and entrants into the United States about these issues. In particular, points of entry into the United States are underused venues for educating the public about the threat to our economy (and to public safety) posed by counterfeit and pirate products. Customs forms should be amended to require the disclosure of pirate or counterfeit items being brought into the United States.

Does that iPod in your hand luggage contain copies of songs extracted from friends' CDs? Is your computer storing movies ripped from DVD (handy for conserving battery life on long trips)? Was that book you bought overseas "licensed" for use in the United States? These are the kinds of questions the industry would like you to answer on your customs form when you cross borders or return home from abroad. What is more, this suggestion also raises the specter of something we've heard the entertainment industry suggest before: more searches and seizures of electronic goods at the border. Once border officials are empowered to search every electronic device for "pirated" content, digital privacy will all but disappear, at least for international travelers. From what we've learned about the fight over a de minimis border measures search exclusion in the latest leaked text, ACTA might just try to make this a reality.

Bully countries that have tech-friendly policies

The government should develop a process to identify those online sites that are most significantly engaged in conducting or facilitating the theft of intellectual property. Among other uses, this identification would be valuable in the interagency process that culminates in the annual Special 301 report, listing countries that fail to provide adequate and effective protection to U.S. intellectual property rights holders. Special 301 could provide a focus on those countries where companies engaged in systematic online theft of U.S. copyrighted materials are registered or operated, or where their sites are hosted. Targeting such companies and websites in the Special 301 report would put the countries involved on notice that dealing with such hotbeds of copyright theft will be an important topic of bilateral engagement with the U.S. in the year to come. (As order generic viagra noted above, while many of these sites are located outside the U.S., their ability to distribute pirate content in the U.S. depends on U.S.-based ISP communications facilities and services and U.S.-based server farms operated commercially by U.S.-based companies.)

Some background: the Special 301 process is a particularly unpleasant annual procedure by which the United States Trade Representative (USTR) pressures other countries to adopt tougher intellectual property laws and spend more for IP enforcement. In the Special 301 report, the USTR singles out particular countries for their "bad" intellectual property policies, placing them on a watch list, and threatening trade sanctions for those that deny "adequate and effective protection" for US IP rightsholders or restrict fair and equitable market access for US intellectual property.

Before this year, the US Trade Representative only sought input from the entertainment and pharmaceutical industries for these rankings, resulting in unbalanced assessment criteria. Countries have been listed for failing to sign on to controversial international treaties or for not mirroring certain parts of US law. For example, Chile was named for considering fair use-style exceptions to its copyright law; Canada was listed for requiring that its customs officers have a court order before seizing goods at the border; and Israel was highlighted for refusing to adopt DMCA-style anti-circumvention provisions after legislative debate concluded that anti-circumvention laws would have no effect on copyright infringement.

The creative communities' proposal imagines that the US Trade Representative should become a glorified messenger for Big Media, using its resources to pressure countries that "harbor" websites and Internet services that facilitate copyright infringement. In other words, they believe that the USTR should put US IP rightsholders' interests at the center of its foreign policy, ignoring other foreign policy goals such as regional security, and promoting innovation and competition.

Federal agents working on Hollywood's clock

The planned release of a blockbuster motion picture should be acknowledged as an event that attracts the focused efforts of copyright thieves, who will seek to obtain and distribute pre-release versions and/or to undermine legitimate release by unauthorized distribution through other channels. Enforcement agencies (notably within DOJ and DHS) should plan a similarly focused preventive and responsive strategy. An interagency task force should work with industry to coordinate and make advance plans to try to interdict these most damaging forms of copyright theft, and to react swiftly with enforcement actions where necessary.

This is perhaps the most revealing of the proposals: big Hollywood studios deputizing the FBI and Department of Homeland Security to provide taxpayer-supported muscle for summer blockbuster films. Jokes have been made about SWAT team raids on stereotypical file-sharers in college dorm rooms — but this entertainment industry request to "interdict…and to react swiftly with enforcement actions" brings that joke ridiculously close to reality.

What next?

Of course, these comments are just an entertainment industry wishlist, an exercise in asking for the moon. But they reveal a great deal about the entertainment industry's vision of the 21st century: less privacy (with citizens actively participating in their own surveillance), a less-neutral Internet, and federal agents acting as paid muscle to protect profits of summer blockbusters.

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